{"id":10,"date":"2014-01-14T22:50:20","date_gmt":"2014-01-15T03:50:20","guid":{"rendered":"http:\/\/www.briancroxall.net\/s14dh\/?page_id=10"},"modified":"2014-04-21T16:05:36","modified_gmt":"2014-04-21T20:05:36","slug":"schedule","status":"publish","type":"page","link":"https:\/\/www.briancroxall.net\/s14dh\/schedule\/","title":{"rendered":"Schedule"},"content":{"rendered":"<p style=\"text-align: left;\" align=\"center\"><span style=\"line-height: 1.5;\">Complete all assigned reading before coming to class. Please keep in mind that all reading assignments are <\/span><b style=\"line-height: 1.5;\">subject to change<\/b><span style=\"line-height: 1.5;\">. All page numbers refer to the editions\/ISBNs that I have ordered.\u00a0 For some readings, you will find the text in <a href=\"https:\/\/ereserves.library.emory.edu\/\">Reserves Direct<\/a> (RD).<\/span><\/p>\n<p>\u2014\u2013Week 1\u2014\u2013<\/p>\n<h3 style=\"text-align: center;\">Digital Humanities = Screwing Around<\/h3>\n<p><strong>Jan. 15 W\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<ul>\n<li><b>First Day of Class<\/b><\/li>\n<li>Introductions, Syllabus<\/li>\n<\/ul>\n<p><strong>Jan. 17 F<\/strong><\/p>\n<ul>\n<li><b>Register a Domain (<\/b><a href=\"http:\/\/www.reclaimhosting.com\">http:\/\/www.reclaimhosting.com<\/a>)<\/li>\n<li>Alexis C. Madrigal, \u201c<a href=\"http:\/\/www.theatlantic.com\/technology\/archive\/2014\/01\/how-netflix-reverse-engineered-hollywood\/282679\/\">How Netflix Reverse Engineered Hollywood<\/a>.\u201d 2 Jan. 2014. <a href=\"http:\/\/www.theatlantic.com\/technology\/archive\/2014\/01\/how-netflix-reverse-engineered-hollywood\/282679\/\"><br \/>\n<\/a><\/li>\n<li>Stephen Ramsay. \u201c<a href=\"http:\/\/www.playingwithhistory.com\/wp-content\/uploads\/2010\/04\/hermeneutics.pdf\">The Hermeneutics of Screwing Around; or What You Do with a Million Books<\/a>.\u201d 17 April 2010.<\/li>\n<\/ul>\n<p>\u2014\u2013Week 2\u2014\u2013<\/p>\n<p><strong>Jan. 20 M\u00a0<\/strong><\/p>\n<ul>\n<li><b>Martin Luther King Day<\/b><\/li>\n<li>Work on website<\/li>\n<\/ul>\n<h3 align=\"center\"><b>Mapping Digital Humanities<\/b><\/h3>\n<p><strong>Jan. 22 W\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Franco Moretti. \u201c<a href=\"http:\/\/newleftreview.org.proxy.library.emory.edu\/II\/26\/franco-moretti-graphs-maps-trees-2\">Models for an Abstract Literary History\u20142<\/a>.\u201d<\/li>\n<\/ul>\n<p><strong>Jan. 24 F\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Jhumpa Lahiri. \u201c<a href=\"https:\/\/ereserves.library.emory.edu\/reservesViewer.php?reserve=463648\">Sexy<\/a>.\u201d In <i>Interpreter of Maladies<\/i>. New York: Houghton, 1999. (RD)<\/li>\n<li>Jorge Luis Borges. \u201c<a href=\"https:\/\/ereserves.library.emory.edu\/reservesViewer.php?reserve=560081\">Museum: On Exactitude in Science<\/a>.\u201d In <i>Collected Fictions<\/i>. Trans. Andrew Hurley. New York: Viking, 1999. (RD)<\/li>\n<\/ul>\n<p>\u2014\u2013Week 3\u2014\u2013<\/p>\n<p><strong>Jan. 27 M\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Google Earth \/ Neatline overview<\/li>\n<li>Stephen Ramsay. \u201c<a href=\"http:\/\/stephenramsay.us\/text\/2011\/01\/08\/whos-in-and-whos-out\/\">Who\u2019s In and Who\u2019s Out<\/a>.\u201d <i>Stephen Ramsay. <\/i>8 Jan. 2011.<\/li>\n<li>Stephen Ramsay. \u201c<a href=\"http:\/\/stephenramsay.us\/text\/2011\/01\/11\/on-building\/\">On Building<\/a>.\u201d <i>Stephen Ramsay<\/i>. 11 Jan. 2011.<\/li>\n<\/ul>\n<p><strong>Jan. 29 W <\/strong><\/p>\n<ul>\n<li>SNOW!!!!1!<\/li>\n<\/ul>\n<p><strong>Jan. 31 F<br \/>\n<\/strong><\/p>\n<ul>\n<li>Virginia Woolf. <i>Mrs. Dalloway<\/i>, 3-48<\/li>\n<\/ul>\n<p>\u2014\u2013Week 4\u2014\u2013<\/p>\n<p><strong>Feb. 3 M<\/strong><\/p>\n<ul>\n<li>Woolf, <i>Mrs. Dalloway<\/i>, 48-102<\/li>\n<li>John Unsworth. \u201c<a href=\"http:\/\/people.brandeis.edu\/~unsworth\/Kings.5-00\/primitives.html\">Scholarly Primitives<\/a>.\u201d Transcript of a presentation. 13 May 2000.<\/li>\n<\/ul>\n<p><strong>Feb. 5 W<br \/>\n<\/strong><\/p>\n<ul>\n<li>Woolf, <i>Mrs. Dalloway<\/i>, 102-151<\/li>\n<\/ul>\n<p><strong>Feb. 7 F<br \/>\n<\/strong><\/p>\n<ul>\n<li>Woolf, <i>Mrs. Dalloway<\/i>, 151-end<\/li>\n<\/ul>\n<p style=\"text-align: left;\" align=\"center\">\u2014\u2013Week 5\u2014\u2013<\/p>\n<h3 align=\"center\">The Intentional Fallacy<\/h3>\n<p><strong>\u00a0<\/strong><strong>Feb. 10 M<br \/>\n<\/strong><\/p>\n<ul>\n<li>Franco Moretti. \u201c<a href=\"http:\/\/newleftreview.org.proxy.library.emory.edu\/II\/24\/franco-moretti-graphs-maps-trees-1\">Models for an Abstract Literary History\u20141<\/a>.\u201d<\/li>\n<\/ul>\n<p><strong>Feb. 12 W<br \/>\n<\/strong><\/p>\n<ul>\n<li><b>MOAR SNOW!!!!!<\/b><\/li>\n<\/ul>\n<p><strong>Feb. 14 F<br \/>\n<\/strong><\/p>\n<ul>\n<li><b>Dalloway presentations<\/b><\/li>\n<\/ul>\n<p>\u2014\u2013Week 6\u2014\u2013<\/p>\n<p><strong>Feb. 17 M<\/strong><\/p>\n<ul>\n<li>Dalloway presentations<\/li>\n<\/ul>\n<p><strong>Feb. 19 W<\/strong><\/p>\n<ul>\n<li>Carol Ann Duffy,\u00a0<a href=\"https:\/\/ereserves.library.emory.edu\/reservesViewer.php?reserve=553678\"><i>The Other Country<\/i><\/a>, 7-27<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><strong>Feb. 21 F<br \/>\n<\/strong><\/p>\n<ul>\n<li><b>Class canceled; work on MARBL project<\/b><\/li>\n<\/ul>\n<p>\u2014\u2013Week 7\u2014\u2013<\/p>\n<p><strong>Feb. 24 M<\/strong><\/p>\n<ul>\n<li>Duffy,\u00a0<a href=\"https:\/\/ereserves.library.emory.edu\/reservesViewer.php?reserve=553678\"><i>The Other Country<\/i><\/a>, 28-55<\/li>\n<\/ul>\n<p><strong>Feb. 26 W<\/strong><\/p>\n<ul>\n<li>Duffy, <a href=\"https:\/\/ereserves.library.emory.edu\/reservesViewer.php?reserve=553678\"><em>The Other Country<\/em><\/a>, wrap-up<\/li>\n<li>Jean-Baptiste Michel, et al. \u201c<a href=\"http:\/\/www.sciencemag.org\/content\/331\/6014\/176.full.pdf\">Quantitative Analysis of Culture Using Millions of Digitized Books<\/a>.\u201d <i>Science<\/i>. 16 Dec. 2010.<\/li>\n<\/ul>\n<p><strong>Feb. 28 F\u00a0<\/strong><\/p>\n<ul>\n<li>Carol Ann Duffy,\u00a0<i>The World\u2019s Wife<\/i>, 1-29<\/li>\n<\/ul>\n<p>\u2014\u2013Week 8\u2014\u2013<\/p>\n<p><strong>Mar. 3 M\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Duffy,<i>The World\u2019s Wife<\/i>, 30-55<\/li>\n<\/ul>\n<p><strong>Mar. 5 W \u00a0<\/strong><\/p>\n<ul>\n<li>Duffy,\u00a0<i>The World\u2019s Wife<\/i>, 56-76<\/li>\n<\/ul>\n<p><strong>Mar. 7 F\u00a0<\/strong><\/p>\n<ul>\n<li><b>Class canceled; work on paper \/ MARBL assignment<\/b><\/li>\n<\/ul>\n<p>\u2014\u2013Week 9\u2014\u2013<\/p>\n<p>Mar. 10\u201314 \u00a0\u00a0\u00a0\u00a0 <b>Spring Break<\/b><\/p>\n<p>\u2014\u2013Week 10\u2014\u2013<\/p>\n<h3 align=\"center\"><span style=\"text-decoration: line-through;\">Reading on a Networked Device<\/span><\/h3>\n<p><strong>Mar. 17 M\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><b>Duffy Paper Due<\/b><\/li>\n<li>Duffy project<\/li>\n<\/ul>\n<p><strong>Mar. 19 W\u00a0<\/strong><\/p>\n<ul>\n<li>Duffy project<\/li>\n<\/ul>\n<p><strong>Mar. 21 F\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Duffy project<\/li>\n<\/ul>\n<p>\u2014\u2013Week 11\u2014\u2013<\/p>\n<h3 align=\"center\">Reading in a Network<\/h3>\n<p><strong>Mar. 24 M\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<ul>\n<li>Mark Sample. \u201c<a href=\"http:\/\/www.samplereality.com\/2011\/05\/25\/the-digital-humanities-is-not-about-building-its-about-sharing\/\">The Digital Humanities is Not About Building, It\u2019s About Sharing<\/a>.\u201d SampleReality.com. 25 May 2011.<\/li>\n<\/ul>\n<p><strong>Mar. 26 W\u00a0\u00a0\u00a0 <\/strong><\/p>\n<ul>\n<li>Mark Z. Danielewski, <i>House of Leaves<\/i><i>, <\/i>front cover &#8211; 23\n<ul>\n<li><b>N.B. You can choose whether or not you read all the materials\u2014prefatory, cover, appendixes, footnotes, exhibits\u2014as you come to them. However, you must eventually read them all.<\/b><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>Mar. 28 F\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, 24-106<\/li>\n<\/ul>\n<p>\u2014\u2013Week 12\u2014\u2013<\/p>\n<p><strong>Mar. 31 M\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, 107-245<\/li>\n<\/ul>\n<p><strong>Apr. 2 W\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, 246-312<\/li>\n<\/ul>\n<p><strong>Apr. 4 F\u00a0<\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, 313-383<\/li>\n<li><span style=\"text-decoration: line-through; color: #ff0000;\">Bolter, Jay David, and Richard Grusin. <a href=\"https:\/\/ereserves.library.emory.edu\/reservesViewer.php?reserve=561011\"><span style=\"color: #ff0000;\">Introduction<\/span><\/a> from <i>Remediation<\/i>. Cambridge: MIT Press, 1999. (RD)<\/span><\/li>\n<\/ul>\n<p>\u2014\u2013Week 13\u2014\u2013<\/p>\n<p><strong>Apr. 7 M\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, 384-490<\/li>\n<\/ul>\n<p><strong>Apr. 9 W\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, 491-528<\/li>\n<\/ul>\n<p><strong>Apr. 11 F\u00a0<\/strong><\/p>\n<ul>\n<li><i>House of Leaves<\/i>, catch-up day<\/li>\n<\/ul>\n<p>\u2014\u2013Week 14\u2014\u2013<\/p>\n<h3 align=\"center\">How to (Not) Read All of Hemingway<\/h3>\n<p><strong>Apr. 14 M<\/strong><\/p>\n<ul>\n<li>AMBP wrap-up<\/li>\n<\/ul>\n<p><strong>Apr. 16 W\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Hemingway, \u201cHills Like White Elephants,\u201d \u201cBig Two-Hearted River, Part I,\u201d \u201cBig Two-Hearted River, Part II,\u201d &#8220;Now I Lay Me&#8221; (RD)<\/li>\n<\/ul>\n<p><strong>Apr. 18 F\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Hemingway, \u201cGod Rest Ye Merry Gentlemen,\u201d \u201cThe Sea Change,\u201d &#8220;Canary for One,&#8221;\u00a0 &#8220;The End of Something&#8221; (RD)<\/li>\n<\/ul>\n<p>\u2014\u2013Week 15\u2014\u2013<\/p>\n<p><strong>Apr. 21 M\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Hemingway, &#8220;A Very Short Story,&#8221; &#8220;The Butterfly and the Tank,&#8221; &#8220;Black Ass at the Cross Roads,&#8221; (RD)<\/li>\n<li>Matthew L. Jockers, \u201c<a href=\"http:\/\/www.matthewjockers.net\/2011\/09\/29\/the-lda-buffet-is-now-open-or-latent-dirichlet-allocation-for-english-majors\/\">The LDA Buffet is Now Open; or, Latent Dirichlet Allocation for English Majors<\/a>.\u201d 29 Sept. 2011.<\/li>\n<\/ul>\n<p><strong>Apr. 23 W\u00a0\u00a0\u00a0<\/strong><\/p>\n<ul>\n<li>Hemingway, &#8220;The Doctor and the Doctor&#8217;s Wife&#8221; and &#8220;Summer People&#8221;<\/li>\n<\/ul>\n<p><strong>Apr. 25 F \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li>Hemingway Project<\/li>\n<\/ul>\n<p>\u2014\u2013Week 16\u2014\u2013<\/p>\n<p><strong>Apr. 28 M<\/strong><\/p>\n<ul>\n<li>Hemingway Project<\/li>\n<\/ul>\n<p>\u2014\u2013Finals\u2014\u2013<\/p>\n<p><strong>May 1 Th\u00a0<\/strong><\/p>\n<ul>\n<li><b>Final Exam, 8:00-10:30am<\/b><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Complete all assigned reading before coming to class. Please keep in mind that all reading assignments are subject to change. All page numbers refer to the editions\/ISBNs that I have ordered.\u00a0 For some readings, you will find the text in Reserves Direct (RD). \u2014\u2013Week 1\u2014\u2013 Digital Humanities = Screwing Around Jan. 15 W\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 First Day [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P4eauw-a","_links":{"self":[{"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":10,"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":668,"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/pages\/10\/revisions\/668"}],"wp:attachment":[{"href":"https:\/\/www.briancroxall.net\/s14dh\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}