Posts Tagged danielewski
tl;dr: I gave a talk about digital pedagogy.
Today I want to share a talk. That’s not all that unusual, as I’ve been in the habit of posting such presentations since I began blogging here in 2009. What’s unusual about this one—at least for me—is that it’s a talk that evolved as I gave it as a keynote at three different universities.
Although it’s taken me longer to post this talk than I would have liked, I want to share my framework for theorizing digital pedagogy. This is the rubric I use when working with faculty here at Brown to design new classroom research projects. We can create new and exciting, team-based research projects for our students. Once you’ve tried this, it’s really hard to go back.
I first spoke about “pedagogy in the digital age” at Fordham University in November 2013. I was invited by Glenn Hendler, who is chair of the English Department, to give this talk as well as a more practical workshop on teaching with technology in the classroom. It was one of the first times I had been given the opportunity to tackle either subject in such a broad way, and the setting of Fordham in NYC definitely inspired the direction that the talk took—that, and an episode of 99% Invisible that I had just listened to. I very much enjoyed the conversations at Fordham and was glad of the chance to put together my thoughts about digital pedagogy into a more coherent argument.
When I was asked a few months later to give the keynote at the September 2014 Liberal Arts Scholarship and Technology Summit (LASTS) at Penn State, I took the chance to further refine the talk and its argument. I was invited by Christopher P. Long, who was at the time Associate Dean for Graduate and Undergraduate Education at Penn State and who has since moved to Michigan State as Dean of the College of Arts & Letters. I’ve always admired Chris for the genuine excitement and positive energy he brings to conversations, so I was flattered and happy to spend the time with him and the Penn State community. (Also, land-grant schools tend to have the best ice cream.) My visit for LASTS was combined with a talk at the Center for American Literary Studies’s Symposium on #Alt-Ac, which I wrote about previously. My keynote was recorded, if you want to see the high kick at the end.
Shortly after the presentation at Penn State, I was thrilled to be invited to speak at both St. Olaf and Carleton Colleges in Northfield, Minnesota (home of Malt-o-Meal; the whole town smelled like Marshmallow Mateys!). The two colleges have received a Mellon Foundation grant for collaboration between the two schools, which sit opposite one another across the Cannon River. One of the outcomes for the grant was the Bridge Crossings Events, which focus on integrating and supporting digital technologies into teaching, learning, and research. I made some more changes to the presentation, as well as did some research on the architecture on both campuses, and joined faculty, librarians, and IT staff at both schools in February 2015 for a discussion of Digital Humanities on the Hill. I really enjoyed my visit, thanks to the great library and IT staff at both schools, although I was shocked at how little winter gear people in Minnesota needed compared to a guy from Georgia. If you’re into comparative media experiences, you can also watch the video of this version of the talk. No high kick, I’m afraid.
Again, my thanks to Fordham, Penn State, and St. Olaf and Carleton Colleges for inviting me and giving me the chance to pull together years of praxis into three performances.
N.B. It’s worth saying that there are two images in this slide deck that are potentially NSFW: artistic photographs of nude sex workers, circa 1912.
A few days ago, I stumbled across a Twitter conversation about House of Leaves. That’s generally enough to get my attention. The people involved were an added enticement. But the conversation among Jesse Stommel, Chuck Rybak, Sean Michael Morris, and Paul Benzon took a different direction when Paul asked, if anyone had “theories on what’s up with the MZD numerical tweets?”
This was the first that I had heard anything about this, so I quickly checked out Mark Z. Danielewski’s tweet stream. And it was very quickly apparent what Paul was talking about. MZD’s last 8 tweets have been a string of numbers. When I looked at them, my immediate thought was that they had to be linked to The Familiar, his 27-volume serial novel that should start being published in 2014. My second thought was that these numbers looked suspiciously like latitude and longitude.
I had a little bit of time that morning, so I quickly ducked into Google Maps to see what I could find out. The first of his numerical tweets appeared on 17 January 2013: 48-371204-9-7265. I decided to replace the dashes with commas and periods, and entered these coordinates: 48.371204,9.7265. A spot in the forest southwest of Schelklingen, Germany was the result. Easy enough. The second site was in Alles-sur-Dordogne, France.
The fourth tweet was a little more complicated, as it presented an em-dash instead of a dash in the middle of the tweet: 63-84823—20-8712. I decided that the em-dash was most likely a way of signaling a negative value for the longitude, and tried 63.84823,-20.8712. That seemed to work, placing me in Iceland; but to be sure, I removed the negative value, and found the spot in the ocean off Sweden. The sixth tweet contained a similar em-dash, and similarly dropped me in the ocean when I removed the negative. The same thing happened with the most recent tweet, which featured a negative sign at the front of the longitude.
So here are all eight locations:
View MZD Tweets mapped in a larger map
The locations are rather diverse, although only on three out of seven continents thus far. I suspect that we’ll see more places mapped soon. MZD has been tweeting once every two weeks, so I think in another 10 days or so I’ll be adding another location to this map.
It’s certainly possible that I’m completely wrong about these numbers being spatial coordinates. And they don’t begin to explain why he is tweeting a blank, black image along with every set of numbers. But if I’m wrong, I’ll be in good company. Someone blogging at schinjislist.blogspot.com had noticed the tweets before I did and had come to the same conclusion about them being best understood in relation to a map. There is, naturally, a post on the MZD forums, on the subject as well. Update: And, it turns out, some steganographic analysis that has been done on Reddit. 10 points to Paul for finding that as well.
It’s worth looking around the locations. Zach Whalen noticed, for example, that there seem to be several loops or circles near each point. That would work well with some of MZD’s thematics. But again, allways, and allready one must be wary of apophenia.