One of the things that I love about Twitter is the #lazyweb feature: the ability to ask the world to help you find the answer to questions. Unfortunately my query today needs a bit more space to explain. And it’s not that I’m lazy in this case, it’s just that I’m short on time and I know that many of my colleagues will be able to quickly point me in the right direction.

I’m super excited to be teaching again this fall, and even more excited to be teaching an “Introduction to Digital Humanities.” It’s the first time a course like this will be taught at Emory, and it’s going to give me a great chance to dive more deeply into aspects of the field that I’m less familiar with. As I’ve been turning over the course in my mind, I’ve known that I’ve wanted to do one or more projects with the students, probably using our special collections, which tend to be quite strong in particular swaths of literature. This week I sat down with Liz Chase, one of our special collections librarians, and brainstormed. We came up with a great project involving our holdings of Carol Ann Duffy’s notebooks. In short, we want to do some comparisons between how she writes in her 1999 volume, The World’s Wife, and her previous volumes. We’re interested in thematic material, vocabulary she uses, poetic styles, and so forth. But as I’ve been working to design the project, I’ve come to realize that the students’ work (to say nothing of my teaching) will be improved by the inclusion of some readings on textual scholarship along these lines. But I don’t know this field at all.

What’s more, I’ve been trying to think about what sort of software we might most profitably use to help push our analysis after creating a dataset of the texts. I’m guessing we’ll want to represent word counts, word clouds, line structures, and more. My first thought is SEASR, but I’m not familiar with the tool and I’m not sure if it’s overkill or underkill or totally off the mark. I can always use Wordle, but I would like to have more options. And perhaps if I really knew this field of scholarship then it would be easier for me to know which tools I should be using.

What I really need, then, is a suggestion of books or articles that I should read so that our class proceeds thoughtfully on the project with an understanding of what’s been done in the past. Any tool suggestions would be welcome as well.

I’m pleased to announce that our THATCamp Junior project—making a film with our kids—will take place on Friday and Saturday, 8-9 July, in Atlanta. We know it’s not much advanced notice, but we invite others to come and play along with us. Get in touch with me via Twitter if you’re interested!

I’m excited to say that the electronic roundtable that Kathi Berens and I proposed for the 2012 MLA Convention has been accepted. The session grew out of proposals that were originally submitted to Kathy Harris‘s roundtable on digital pedagogy. She received so many great abstracts that she couldn’t include them all. Consequently she asked Kathi and I, who had separately sent her abstracts, if we would consider putting forward a session of our own using some of the abstracts that seemed thematically related.

Something that’s interesting about MLA sessions is that one works very hard on the proposal to be something that speaks to the program committee, but that session proposal is then condensed into less than 200 words that will appear in the actual program. Such a process allows the session to change in the nine months following the proposal. The proposal becomes something of a lost document then. Maybe that’s not a bad thing. Who wants to read abstracts, after all, of sessions?

But since this proposal reflects some significant intellectual labor on the part of Kathi and myself and because I like to make public those things that I write, I want to share our proposal for #MLA12. Feel free to print out a copy to read again and again.

Building Digital Humanities in the Undergraduate Classroom: An Electronic Roundtable

At the “History and Future of Digital Humanities” panel at the 2011 MLA, Stephen Ramsay discussed the perennial problem of defining what “counts” as work within the digital humanities. Taking what he knew would be a provocative stance, Ramsay declared, “Personally, I think Digital Humanities is about building things. [...I]f you are not making anything, you are not [...] a digital humanist.” This declaration incited passionate debate in the weeks immediately following the Convention and prompted Ramsay to clarify his remarks: “Building is, for us, a new kind of hermeneutic — one that is quite a bit more radical than taking the traditional methods of humanistic inquiry and applying them to digital objects.” Building allows the maker to look at an object, a text, or some piece of information anew, producing discoveries that would not be found otherwise. The “radical” potential of the digital humanities that Ramsay envisions is that building and interpreting is a lapidary process: slicing facets of the same gem.

Barriers to participation in the digital humanities have lowered during the last five years, as a handful of simple tools permit the creation of digital artifacts that nevertheless yield significant opportunity for interpretation. With a few rapid clicks of a mouse, a scholar can drop descriptive markers into Bing Maps or plot points within Google Earth. In a short time, one can create a rough map of Huckleberry Finn’s trip down the Mississippi River or visualize the approximate size of the titular object in Donald Barthelme’s story “The Balloon,” acts that literally help you new things about the text. Indeed, the tools to map events and objects are simple enough to be quickly introduced into the undergraduate classroom. Such ease of use is especially important in this context, where faculty cannot assume that students have prior (or continued) technical training: tools have to be simple to use so that the intellectual endeavor can focus on the simultaneous and recursive practices of building and interpreting. Undergraduates bring various digital skill sets into the classroom, but their preparation as interpreters of text is routinely underdeveloped. Through the act of building, students create new vantage points from which to apply humanistic hermeneutics. What’s more, since undergraduates are accustomed to consuming information without assessing how media shapes their consumption, building digital artifacts helps them perceive the literally built, constructed nature of digital engagement.

In this digital roundtable, panelists will present undergraduate work that has been created in response to assignments designed to foster the building/interpretation feedback loop of the digital humanities in undergraduates. The projects featured present a full range of technical complexity: from low-barrier-to-entry platforms like woices (dropping audio files on a Google map) to multimodal, geospatial timelines of key years in American literary history, to a map of early modern London that students annotate encyclopedically, street-by-street.

The seventy-five minute session will begin with an overview of the projects. Each presenter (or team of co-presenters) will show-and-tell for five minutes. Then attendees will be free to circulate and review the projects of most interest to them for half an hour. The intended audience of this roundtable will include those with different vectors of interest in the projects: novice-to-expert technical engagement; collaboratively produced student projects or individually produced ones; and the degree to which institutional support is required to do the project.  In the final ten minutes of the session, the co-presiders will facilitate discussion among attendees.

Attendees of this digital roundtable will gain: 1) off-the-shelf assignments vetted for optimal implementation, assessment, and desired learning outcomes; and 2) an overview of the wide range of projects, from simple to complex, that engage undergraduates in digital humanities praxis. Implicitly, this roundtable sends the message that “building stuff” is foundational to the digital humanities and, crucially, that the technical barriers to participation can be very low. The ease of clearing professional barriers to begin work in the digital humanities is demonstrated by the diversity of our panelists: tenured and tenure-track professors, a program director, post-docs, a graduate student, librarian, an adjunct, and an E-Learning project manager. Digital humanities veterans and novices alike will find projects at this roundtable that build fresh insights about how they can stimulate both collaborative construction and humanistic inquiry in their undergraduate teaching.